Sunday, June 10, 2018
There are many opportunities available right now for learning a variety of gold leaf gilding techniques. Two classes for New York this month are sold out but new sessions will be available in October in New York and even earlier in Seattle. Meanwhile, for those interested in the beautiful method of Traditional Water Gilding there are a few seats available for June 20-22. Registration is available at www.gildingstudio.com. Or through the Gilding Arts Newsletter. Drop me a note if you have any questions. Hope to see you in Manhattan!
Tuesday, February 27, 2018
Saturday, February 24, 2018
Creating a custom URL for my Youtube Channel, just four more subscribers needed. After 26,000 views on this clip I figured it was about time ;). ..Charles
Monday, December 18, 2017
It's a true joy to be working with some wonderfully talented painters around the country in this popular gilding class. And now an additional pleasure to be presenting it for the first time at Artist & Craftsman in Seattle ~ join us if you can!
Wednesday, December 13, 2017
Sunday, December 3, 2017
The allure of the various applications of gold leaf gilding and the use of silver and other metals is ever enduring, an art with roots that extend thousands of years ago. There now seems to be a heightened Renaissance where Fine artists are rediscovering what is known as a traditional 'gold ground', where a bed of genuine gold leaf is laid upon a panel or sometimes as a standalone canvas or canvas applied to panel, painted over or inbetween the layers of leaf, gilded during an initial sketch on the surface.
To help meet the needs of artists wishing to explore the many ways of incorporating gold or silver leaf into their own works of art I developed a one day intensive workshop with hands-on instruction in the method of oil gilding flat surfaces and areas of relief with guidance in planning a painting where gold or silver will be used. We also explore other mordants such as gum ammoniac, gum arabic, clay bole for paper, and are introduced to the principles of traditional water gilding for panels as done on Icons and 13th Century Italian panel paintings. Students also gain experience in handling genuine loose gold leaf and the tools of the gilder including the pad, knife, tip, and burnisher.
This coming January 27 I am pleased to announce a new location in New York for this increasingly popular gold leaf gilding workshop at Talas Bookbinding, Archival & Conservation Supplies in the heart of Williamsburg, Brooklyn. I am looking very forward to working in association with Talas and sponsor Sepp Leaf Products in New York. Talas offers such a wonderful array of quality art supplies and at a convenient location to a strong artistic community.
Gilding Workshops continue at other locations including Sepp Leaf in Manhattan on Park Ave S and 27th St. The Gold Leaf Gilding for Works of Art class there on January 24 is sold out so the timing is perfect for those interested in attending Talas Saturday, January 27, 2018.
Registrations are now being accepted and are limited to 16 at Talas. A two-day Advanced Traditional Water Gilding class is also open at Sepp Leaf January 25 & 26, 2018. All class registrations may be found at gildingstudio.com
For those interested in receiving the Quarterly emailed Gilding Arts Newsletter may sign up at the gildingstudio.com website to receive informative articles, tips, and a members-only workshop discount on all classes!
Questions? Just drop me a note here or contact me directly at firstname.lastname@example.org
See you in class!
Peace, health, and clarity,
Saturday, June 3, 2017
|23kt Gold Leaf Gilded Pastiglia with Red Bole|
|Student gilding water color paper|
A particular new class that I've developed over the last few years, Gold Leaf Gilding for Works of Art on Canvas, Paper, and Panels...a Study for Fine Artists is, for me, one of the most intriguing and challenging both due to various mediums that artists use - oils, acrylics, water colors, and surfaces such as panels, canvas, paper - and perhaps even more, the individual approaches to artistic expression where gilding with gold or silver may be involved.
Some of the most well-known examples come from artists such as Gustav Klimt of course but also those of more contemporary stature such as Brad Kunkle, Fred Wessel, Allessandra Maria among others. The use of gold leaf also extends back to 3rd - 7th century manuscript illuminations, 13th century Italian panel paintings, early Icon drawings, and to the exquisite Peruvian Cuzco School of painting where gilding played an integral and beautiful role known as brocateado de oro.
Gilding, in essence, is the application of a metal to another surface. Gold leaf, silver leaf, white gold, palladium, and platinum as well as base metals such as copper, brass, and aluminum may all be gilded to a wide variety of surfaces using what we refer to as mordants or sizes which are adhesives ranging from protein binders to acrylic mediums. The practice of gilding involves several different methods depending up the surface and desired effect - traditional water gilding, mordant gilding of which oil gilding involves a prepared oil size, verre églomisé (reverse glass gilding), manuscript illumination (water gilding or the application of modern acrylic-based sizes such as miniatum from Kölner), and a contemporary version of water gilding from Kölner, a company based in Dresden, Germany.
The special luminosity of gold and silver leaf lends itself beautifully to certain works of art, whether as a background on panels where gesso incision and punchwork may be used to enhance a sense of brilliancy or complexity, or as slight embellishment to a painted canvas or the raised effect of gilded pastiglia on paper, literally dripped gesso as a relief which can then be water gilded.
Gold leaf gilding, however, remains a mystery to many, its options unknown, and the infiltration of quick-and-easy materials on the market may be confusing at best. In response to requests from Fine Artists I developed this class specifically for the artist seeking to incorporate gold leaf and other metals into their works of art.
One important skill which I teach in each of the gilding classes I offer is how to handle gold leaf which is as thin as .01 μm (4 millionths of an inch). This involves removing the leaf from the booklet, using the pad to lay the leaf to be cut with the gilder's knife, and using the tip, the delicate, flat fine-haired brush to lift the leaf from the pad to the surface.
During this one day workshop we work with a variety of mordants including oil size, Kölner's Instacoll, gum arabic, gum ammoniac, acrylic emulsion, clay bole, along with a summary of pastiglia and traditional water gilding. The idea is to educate the student with the many options available to them and the best approach to using the materials generally most suitable for use on canvas, paper, and panels.
|Oil Gilded Canvas Board, 23kt Gold Leaf|
The Gold Leaf Gilding for Works of Art workshop is scheduled in several cities this year : June 13 in New York City at Sepp Leaf Products, Oct. 21 in Louisville, Kentucky at Art Sanctuary, and July 1, Aug. 5, Sept. 9, Nov. 4, and Dec. 30 at my studio at Gasworks Gallery in Seattle, WA.
For those interested in attending the New York class there are a few spots open. I am also proposing an informal afternoon gathering at 1:00 pm at the Neue Gallery to view some of Klimt's gilded paintings including a very special viewing of Adele Bloch-Bauer (Woman in Gold)! The website at the Neue Gallery states a reduced admission of $10, a great way to end the class that week! Registration for the gilding class can be found at www.gildingstudio.com. Questions? Send me a note! Hope to see you!